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HIMYM Mother Revelation Anti-Climactic? Only if you read Yahoo!

HIMYM Mother Revelation Anti-Climactic?

I started writing this based on the Yahoo! review and the YouTube video of the revelation of the Mother on CBS’s long-running show, How I Met Your Mother.

How I met your mother

How I met your mother

After watching the actual show, I think the show was just where it needed to be, wound with the threads and twists that have made it fun to watch for so very long. But kids, let me tell you about what I was thinking from reading this review from Yahoo!

BEFORE WATCHING THE SHOW I WROTE THIS

Much of my life has changed as Ted‘s (Josh Radner) has stayed the same over the past seven/eight years of the How I Met Your Mother saga on CBS.  I’ve finalized a divorce and then found someone, gotten married, found out what I should have long before I got involved, had my life ripped apart, my heart broken (literally with a heart attack supported by both marriages) and now I find myself on level footing for what likely is the first time in my life. And here we still have “Ted being Ted,” but after Monday night’s season finale, we now know who “Mother” is going to be through the revelation of the YELLOW umbrella, the boots, the train ticket purchase, etc. It’s all coming together and frankly, I’m maybe wishing I didn’t know.

And let’s be honest here. The writers at HIMYM had a lot to overcome when they revealed her.  After all, we’ve been treated to the joys of Drumroll please, clearly one of the best romance episodes ever made for TV in 23 minutes or less, to the reintroduction of Victoria and then her passing from the show and Ted’s life once and for all.

Finally introducing Mom was/is a tall act to follow and I guess I’m just wishing there had been more to it.

AFTER ACTUALLY WATCHING THE SHOW AND NOT RELYING ON THE BAD, SHALLOW WRITERS AT YAHOO!

Yes, still much of my life has changed, but so has Ted’s. He’s done a lot of growing up in the past seven or eight years and his decision to flee New York after fixing up his house and coming to the conclusion that “she” isn’t in New York, but maybe Chicago, is spot on Ted. With the agony he anticipates feeling seeing Robin married to Barney, (that’s still weird to watch knowing Barney’s real life sexual orientation), Ted thinks it will be too hard to be around it all. Trust me, I’ve been in that situation before. It’s not a fun place.

But kids, let’s get back to last night’s show.

Each person in the show is headed in a new direction; one they don’t realize. Yeah, I know. That’s how life is. We make a plan, we think we’re going to live it out and then something happens that dramatically alters every plan we had. Makes you wonder if Robin and Barney really are going to get married. I believe there was an episode last year that says they didn’t.  Or did they?

We now know that Lilly thinks she’s moving to Italy though won’t entirely be surprised when she’s not. Marshall thought he was going to Italy but is now going to be a judge. Ted thinks he’s headed to Chicago and the girl “with cute boots that we can share cos they’ll fit me” is buying a train ticket to Farhampton.

In reading the Yahoo! version and then watching the clip, I was sad to see that we finally have an answer to the question that’s been there for so very long. After watching the show, well, there was a certain magic in how she was revealed because the set up of the discussion between Ted and Lilly, who always has been so good at pulling “do you like him/her or not” out of people.  It wasn’t a Drum roll moment, no, but it still was enough to say, “next season, we’re going to finally get a lot of answers and no matter how many we get, we’re still going to be hanging on wishing there was going to be more.”

 

 

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Mad Men Season 6 Apostrophe Lesson–It’s the ’60s not 60′s

Mad Men Season 6 Apostrophe Lesson–It’s the ’60s not 60′s

Mad Men

Mad Men (Photo credit: Wikipedia)

Mad Men starts in just a few short hours and already I’m about to SCREAM about one of my biggest punctuation pet peeves–the use of the apostrophe in referencing the time period of the show, the 1960s.  Notice I didn’t write the 1960′s.

You know why? ‘Cos it’s a plural.  There’s no possessive going on there.

The same thing goes for saying it’s a show about the ‘60s.  Notice where the apostrophe goes–in FRONT of the 60, not between 60 and the S.

Seriously.

If you were going to say that Mad Men was a show about Advertising Agencies, you wouldn’t write Agency’s, now would you?

So then why in the HELL do you insist on putting an apostrophe at the end of ’60s?

If you were writing about Don Draper‘s actions, then you’d use it.

If you were talking about the women he’s consumed you wouldn’t write women’s, right?

So why on earth do you continue to punish the ’60s with one?

If you’re going to write about the 1960s, or the ’60s, please do it right.

And while we’re at it, if you work in an advertising firm would you please inform your copy writers that housing section prices don’t start in the $200,000′s.  They start in the $200,000s or whatever price point your client dictates. Just get the apostrophe right.  Please. You’re driving me crazy’s. (Sic)

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I’m A ‘Man On Fire’ For The New Edward Sharpe & The Magnetic Zeros Album ‘Here’

I’ve made it no secret. I may be one of the oldest fans of Edward Sharpe And The Magnetic Zeros and sadly, I am behind the curve of the release of their new album “Here,” but after hearing just a few songs, I’m clearly “A Man On Fire” for more.

My daughter, Chandler, and I discovered this band by accident at a Gillette event in Austin in 2010.  We didn’t get in to see them that night, but I got back to Dallas, downloaded their debut album and me and my daughters would have worn down the groves by now if we still had records.

Now comes new material, and I’ve got to admit, I’ve only heard three or four songs so far. It’s really time to jump over to iTunes and pull down the rest.

Man On Fire, (the video is the first below) just sounds like a song that’s bound to close out an episode of a movie or a CBS Hawaii Five-O or CSI episode that’s stoked emotions throughout out and as it’s ending, the hero of the show has overcome the danger of the episode and is ready for the next challenges in life, satisfied that what’s been accomplished in this episode, has been resolved and the beauty and happiness of life that falls in between our crises, is now to be shared with friends, colleagues and family.

And the video for the song will really just make you smile because it’s about people expressing themselves in very amazing ways–through dance.

I’ll download the rest of the album, and do more reviews. Did you know some of the most frequent traffic to this site is because of Edward Sharpe And The Magnetic Zeros?  That makes me smile.

Oh, and here’s a picture of me and Alex in Shreveport, LA back in 2010. The band is going to be in Austin on Nov. 4, but tickets are $75 a piece for all day, the band is the last to play and there’s no way right now I can afford $300 to take Chandler, Reagan and Haley to see our band.  Crap.

DaddyClaxton & Alex from Edward Sharpe & The Magnetic Zeros, Shreveport, LA, 2010.

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The Intel App: Infographic What About Me?

I just stumbled upon this interesting What About Me? app designed by Intel.  It takes my Twitter stream and Facebook posts and turns all that information into an analytical infographic.  And great marketing for Intel, they put their logo at the bottom to do a little extra branding.

So, it was an interesting read, at least for me, of what I post, when I post and who I seem to be talking with the most, most seemingly over FB, and not so much Twitter. (I ran it a second time and added my YouTube feed, but it made no difference whatsoever.)

So here it is.  Enjoy.

 

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Tomorrow Never Knows on Mad Men

Amazed.  Mad Men uses The Beatles’ Tomorrow Never Knows and almost 3/4 of the people commenting on how cool it was on Twitter, also wonder how much the producers of Mad Men had to pay to use the song. 

It’s kind of like how an iPad works.

It’s got a little genie inside, squirrels.  Who knows?

It doesn’t really matter.

It’s just cool.

Revolver Ending

I thought the most interesting comment on Twitter of the night was how the episode ended with The Beatles playing Revolver.  But it looks like Pete Campbell’s life could end like the end of Sgt. Pepper’s Lonely Heart’s Club Band…..

 

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Apr 15, 2012 - Featured, Movies/TV Series    No Comments

Pete Campbell Gets His Ass Whooped on #MadMen–Finally

After five years of seeing Mad Men‘s Pete Campbell slink around like a car wreck waiting to happen, Don Draper‘s MadMen pilot prediction of a Pete Campbell that no one will like is coming to be and tonight’s episode–Season 5′s “Signal 30″–was where it all came to be with Pete looking like he’d been in a car wreck after a mad-capped fist fight with Lane Pryce. It’s clear, with the dripping faucet, that Pete has become bored in the suburbs. A point driven home by Draper who tells Megan that “Saturday night in the suburbs? That’s when you really want to blow your brains out.”

Pete Campbell preparing to get his ass-whooped--AMC MadMen

Observations about Signal 30:

  • Peggy, who had Pete’s baby after Season One trists clearly wasn’t phased nor upset in the least about Pete getting the shit kicked out of him. (Have you noticed someone says “shit” in every MadMen episode? Do said Bullshit at the dinner table, and Megan talked about Pete had scared it out of her by talking about all the car wreck statistics.)
  • What will the story be to Trudy explaining it all? Quoting Joan from season one, “He’ll have his own excuse.”
  • For those who recently have been hoping on Twitter that there’ll be a Lane/Joan thing, I think it was made pretty clear that’s not going to happen.
  • Pete thinks the people he works with are his friends. Do you regard people you work with as your friend? What about clients?
  • After Lane kisses a comforting Joan, she tells him “a lot of people around here have wanted to …” (I thought she was going to say, “kiss me,”) but she went on to talk about Pete getting his clock cleaned
  • Pete’s now hitting on Jenny Gunther, a high school girl. Absolute power corrupts absolutely, comes to mind. Have you noticed Pete’s strays all have been with blondes? Regardless, he’s become Don Draper of old. Last week we saw Peggy has become Roger Sterling.
  • In episode 2 of this year, Roger threatened to take Pete out and whoop his ass. Pete backed down but was more than ready to take on Lane. Either way it would have come down to a much-needed ass-whooping.
  • Don told Megan driving home that he wanted to “make a baby.” Megan hasn’t said anything about wanting one of her own.
  • For a firm where new business isn’t happening, you’d think they’d be a little bit more excited about bringing in Jaguar.
  • Ken Cosgrove’s ending where he’s clearly going ahead with his writing is poetic.
  • It’s funny that Don can handle most women, but between Trudy and Megan, he’s powerless.
  • The girl from the driver’s course talks about how her parents don’t want her going off to college elsewhere because of crazy men and yet she’s standing in their home town talking to Pete who’s circling around her like a pedophile.
  • Didn’t you just hope that Lane would have stood up while eating steak with the man from Jaguar and put that hunk of beef over his crotch like he did last year when he and Don went out on a lark?!?
  • Have you noticed that even in a tight, someone got Lane to spring loose the funds to put name plates on all the office doors? There are three names on Peggy, Ginsberg and that other clown’s office.  (How is it that guy gets away with the things he says?)

At the beginning of the show I was wondering why the whole visit to the Campbell house. It was awkward. Don and Megan couldn’t even remember the name of Ken Cosgrove’s wife, Cynthia.

The ultimate irony of this episode is to show how confused Pete Campbell really is, especially in his regard for Don.  He was clearly excited about having risen enough in stature that Don Draper would come to his house.  They even remark about how Don has “the big stick” when it comes to conversations, etc.  But when it comes down to Don giving Pete real-world advice, Pete’s very put out about it.  Pete can clearly see he’s in the wrong spot, but also clearly doesn’t want Don to be the one to ‘splain it to him.

As the show ended, when Pete was boo hooing to Don Draper, almost in tears that he has “nothing,” it became clear, as Don said to Pete as he was getting out of the cab from the Jaguar dinner/whorehouse run, that Pete has a lot and that he’s throwing it away.

What started as a slow and “where is this going episode” arrived at home in short order.  It was really one of the best Mad Men in the five-year series.  It’ll also be interested to see if there’s an uptick of ass-whoopings in corporate America this week with people finally singling out the ends of their patience with the Pete Campbells of the world.

And now, as a bonus, the Signal 30 Driver’s Ed Video:

 

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Gentle on My Mind

Ever since he was on The Grammy’s last week, Glen Campbell‘s Gentle On My Mindhas been on mine.

Cover of "Gentle on My Mind"

Cover of Gentle on My Mind

Who would have thought the irony would come to play when he found this song so many years ago and made it his forever?  He has Alzheimer’s and is on a farewell tour.

I can’t tell you how sad that makes me feel on the inside to know that he’s going through that.  There’s so many people who have this disease and I think it’s got to be one of the worst ways we’ve found yet to go–slowly and with anything but gentle on our minds.

This song’s melancholy easiness and gentle rift like water flowing down a mountain stream has always captured me.

And now I forever have the images of him on that stage with Sir Paul McCartney standing out in the crowd singing along.  What a great honor, Glenn!

In life Mr. Campbell has fought his series of show biz demons.  Who can forget the stories just a few years ago of him being arrested for DUI or public intoxication one?

Like him, I’m going to let those memories disappear into the night and the rhythm of the wonder of the joy of something so pleasant that indeed, it’s gentle on my mind.

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My night after The Grammy’s observations

I just got to watch  last night’s Grammy’s, and did it largely on fast forward.  But here are my thoughts:

LOS ANGELES, CA - FEBRUARY 10:  Musician Glen ...

Image by Getty Images via @daylife

1) Katie Perry now is a Smurf. That also, at long last, explains her voice.

2) My eldest says no one likes Adele. Not sure that’s accurate, but I think I get where she’s coming from. She does, however, remind me of Moma Cass.

3) Lady Gaga is just weird. The novelty has worn off, honey.

4) The two girls texting during the standing O for Glenn Campbell, one said she was tweeting about how great he did. Glenn Campbell on a farewell tour just makes me sad.  He’s had his demons to deal with but Alzheimer’s we need to find a cure for.

5) Tony Bennett and that girl from OK, Underwood, great song.

6) There’s a lot more to Lady Antebellum than there was last year.

7) I missed seeing Justin Beiber sitting on the edge of his seat actually thinking he might win an award and then the surprise look on his face when Gaga did.   She replaced him this year in that category.

8) Sir Paul singing with Glenn Campbell from the audience was cool. How great an honor would that be to have Paul McCartney in the stands singing with you as you sing from the stage?

9) Disney thinks lawsuit over the Foo Fighter lighted Mickey Mouse-head thing. What the hell was that?

10) The End by Paul McCartney, Bruce Springsteen, et al was the coolest ending of any show that ever will be televised ever.  And it’s cool Paul has a wife this time around who knows lyrics.  Who knows anything, actually.  Well done, sir.

–I was waiting for Paul to sing Her Majesty as the Grammy credits rolled… Oh well.

Until the last 10 minutes, this show was not near what it was last year.  But that last bit with Paul, well, was there a show last year?

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Today is the Day, Dads, To Become COURAGEOUS

Courageous' logo.

Image via Wikipedia

Today is the day.

Not because the movie, Courageous is now in theaters nationwide.  But because today might be the last day you have to step forward and show those who mean the most to you, that you love them, that you love God, and that you’ll do whatever you can to move mountains for them.

Please, gather up the family and go to the movies.  If cost is an issue, go to a matinee, or call your local church and tell them you REALLY need to go see this movie, but with this economy what it is, you just can’t afford to. But do not make the mistake to not go see this incredible, life-changing film.

 

 

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